Add Yahoo as a preferred source to see more of our stories on Google. “Why do people love Pierre Bonnard so much?” asks The Guardian’s art critic Adrian Searle in his review of the painter’s current ...
It can be hard to let things go, especially when that ‘thing’ is an artwork you’ve toiled over for weeks, months, or even years. No one found this as difficult, perhaps, as French Post-Impressionist ...
“It is always so interesting to see which artists come in and out of favor, and why,” said Esther Bell, curator in charge of European painting at the Fine Arts Museums of San Francisco, in a recent ...
The first West Coast survey of the art of Pierre Bonnard in half a century will open at the Fine Arts Museums of San Francisco in early February 2016. Deeming Lincoln Park the more Arcadian of the ...
Marcel Proust was perhaps the most sensitive novelist of the 20th century, uncannily and unforgettably attuned to smells (“smells lazy and punctual as a village clock, roving and settled, heedless and ...
Pablo Picasso “detested” Pierre Bonnard, says Guy Cogeval, president of Paris’s Musée d’Orsay. It’s easy to see why. In the early 20th century, Picasso and members of experimental groups such as the ...
Pierre Bonnard, unlike his older contemporary, Paul Gauguin, never visited Australia, yet Bonnard’s influence on Australian art is pervasive and profound. This unusual and magnificent exhibition at ...
Even if you don't know the name India Mahdavi, you've felt her influence. Commonly dubbed the "Queen of colour", the Paris-based architect and designer is one of the key progenitors of the Millennial ...
The NGV’s new exhibition dedicated to the colourful French painter was put together by India Mahdavi, the revered designer shaping our taste in colours. She talks about assembling a once in a lifetime ...
Pierre Bonnard (1867-1947) was unusual because he painted only from memory, never from life. He inscribed his datebook daily with a small pencil sketch and a one or two-word summary of the weather: ...
“Why do people love Pierre Bonnard so much?” asks The Guardian’s art critic Adrian Searle in his review of the painter’s current show at London’s Tate Modern. There are obvious reasons: his rich ...
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